How often do humans appreciate nature over objects?

This question is what artist Rebecca Hamlin Green is answering through her recent exhibit titled “Naturealism,” now featured at Memorial Union.

Compiled of several different pieces, a common theme throughout each concerns the idea of combining items used within the home and the natural foliage found outdoors. Some of the domestic articles include ceramic creations, referring to many of the ceramic objects used within the home, as well as a sink, cloth and various artificial lighting.

While such domestic articles are not natural in themselves, the ways in which humans have continued to use them have become all too familiar, and are perceived as a part of our natural lives. Perhaps this is what Green is trying to showcase as she illuminates the problem within the domestic articles.

Physically illuminating the objects brings more attention to the concern regarding the dependency of manmade products.

If materialistic society were to be removed, individuals would have to become naturally accustomed to the “green” nature they often overlook, but takes centerstage in Green’s pieces.

The green grass incorporated into some of the pieces, symbolizes that there is much more for humans to be in contact with than what they themselves have created.

It would be hard, however, to completely abandon the domestic objets that assist us in our daily activities. Thus, bringing the two sides together, as Green does in her art, suffices as an adequate compromise.

Therefore, within Green’s exhibit, she is able to highlight the importance of an appreciation for nature which surrounds humans, while still maintaining an aspect of the domesticity that has become second nature to many.

Catch “Naturealism” at the Memorial Union Class of 1925 gallery until Nov. 11.