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All content by Christopher J. Ewing
‘Best of’ lists bump out most unique bands
by
Christopher J. Ewing
December 9, 2004
Motion City Soundtrack, Tsunami Bomb burn up Club 770 show
by
Christopher J. Ewing
December 7, 2004
Noisy Canadians prepare to conquer States
by
Christopher J. Ewing
December 2, 2004
In love with the Pixies
by
Christopher J. Ewing
November 18, 2004
Off-kilter comedy unleashes refined humor, unique pace
by
Christopher J. Ewing
November 18, 2004
Quirky Italians take on Rock history
by
Christopher J. Ewing
November 11, 2004
New compilation showcases talent
by
Christopher J. Ewing
November 8, 2004
Newly uncovered live albums find energy elusive
by
Christopher J. Ewing
November 4, 2004
Powell, FCC keeps expression limited
by
Christopher J. Ewing
November 2, 2004
Political mixtapes for conveying frustrations
by
Christopher J. Ewing
October 27, 2004
Japanese frights come home
by
Christopher J. Ewing
October 25, 2004
Cult of personality almost derails endearing film
by
Christopher J. Ewing
October 20, 2004
Quiet is the new loud in indie rock
by
Christopher J. Ewing
October 13, 2004
Dreamy indie world of ‘Maria Full of Grace’
by
Christopher J. Ewing
October 11, 2004
Jordan’s Big 10 Pub
by
Christopher J. Ewing
October 6, 2004
Wolf Eyes Journeys through rock’s dark side
by
Christopher J. Ewing
October 4, 2004
Mosh-pit politics light on substance
by
Christopher J. Ewing
September 29, 2004
Weblogs future of music biz
by
Christopher J. Ewing
September 15, 2004
Skindred’s unique metal mix
by
Christopher J. Ewing
September 13, 2004
Big budget thrills lacking all chills
by
Christopher J. Ewing
September 8, 2004
Bad Religion: Punk greats strike back
by
Christopher J. Ewing
August 31, 2004
Easy steps to be an indie master
by
Christopher J. Ewing
August 31, 2004
Hopes for innovation on music horizon
by
Christopher J. Ewing
May 5, 2004
Not seeing so Clearly
by
Christopher J. Ewing
April 21, 2004
Jawbreaker — Dear You (reissue)
by
Christopher J. Ewing
April 21, 2004
Cursive takes action
by
Christopher J. Ewing
April 14, 2004
Wilco takes fans for another wild ride
by
Christopher J. Ewing
April 7, 2004
onelinedrawing —
The Volunteers
by
Christopher J. Ewing
April 5, 2004
The ‘Indestructible’ They Might Be Giants
by
Christopher J. Ewing
April 1, 2004
The Beauty Pill
by
Christopher J. Ewing
April 1, 2004
Spring sees burst of mediocre thrillers
by
Christopher J. Ewing
March 30, 2004
Spazz and the SoCal scene
by
Christopher J. Ewing
March 25, 2004
‘Dawn of the Dead’ alive and kicking
by
Christopher J. Ewing
March 24, 2004
The dynamic duo: Kaufman and Gondry
by
Christopher J. Ewing
March 11, 2004
Tim Kinsella gets funky
by
Christopher J. Ewing
March 4, 2004
Indie flicks cure for Oscar overdose
by
Christopher J. Ewing
March 4, 2004
‘Starsky and Hutch’ stale addition to Stiller/Wilson repertoire
by
Christopher J. Ewing
February 26, 2004
The boy who cried, “Rock is dead!”
by
Christopher J. Ewing
February 24, 2004
Attack of the major labels
by
Christopher J. Ewing
February 19, 2004
90 Day Men: Panda Park
by
Christopher J. Ewing
February 17, 2004
Tim Deluxe does dance right
by
Christopher J. Ewing
February 6, 2004
Minor revolutions and major movement: FCC restrictions may tame radio, but free music on the Internet remains
by
Christopher J. Ewing
February 5, 2004
The Little Ginger Club Kid
worthy dance-party addition
by
Christopher J. Ewing
February 5, 2004
John Vanderslice’s multi-narrative masterpiece
by
Christopher J. Ewing
January 29, 2004
Crystal Method’s
Legion of Boom
too repetitive to impress
by
Christopher J. Ewing
January 26, 2004
“Win a Date With Tad Hamilton!” review
by
Christopher J. Ewing
January 23, 2004
Profanity in art, music, TV packs punch then and now
by
Christopher J. Ewing
January 22, 2004
Subterranean escapist blues
by
Christopher J. Ewing
January 19, 2004
Genre-bending, young talent make ‘Tad Hamilton’ a delight
by
Christopher J. Ewing
January 19, 2004
Bon Jovi — This Left Feels Right
by
Christopher J. Ewing
December 8, 2003
Dub manipulation: Weevie’s
Nighty Night
and the brief history of dub
by
Christopher J. Ewing
December 4, 2003
Basement Jaxx — Kish Kash
by
Christopher J. Ewing
December 2, 2003
The Forces of Evil lack creative force
by
Christopher J. Ewing
December 1, 2003
‘Tis the season for horror movies
by
Christopher J. Ewing
October 30, 2003
Don’t stop this beat!
by
Christopher J. Ewing
October 22, 2003
Texas Chainsaw Massacre brings horror to all who witness it
by
Christopher J. Ewing
October 20, 2003
Top five reasons to read ‘Songbook’
by
Christopher J. Ewing
May 7, 2003
American Hi-Fi takes ‘Art of Losing’ literally
by
Christopher J. Ewing
April 16, 2003
Reggie just can’t get “The Full Effect” with latest
by
Christopher J. Ewing
March 27, 2003
Fischerspooner is #1
by
Christopher J. Ewing
March 13, 2003
Dischord proves it’s still in tune
by
Christopher J. Ewing
February 27, 2003
Jesse Malin — The Fine Art of Self Destruction
by
Christopher J. Ewing
February 13, 2003
Horror genre reaches its ‘Final Destination’
by
Christopher J. Ewing
February 6, 2003
Load More Stories
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