Lexy Brodt – The Badger Herald

All content by Lexy Brodt

‘Colossal dicks,’ Channing Tatum’s dance moves can’t salvage a boring plot

by Lexy Brodt
July 16, 2015

Openers trump Speedy Ortiz in mini punk-rock festival at Frequency

by Lexy Brodt
May 4, 2015

Revelry: The Chainsmokers can’t wait to party with hot girls at Kollege Klub this Saturday

by Lexy Brodt
April 30, 2015

Modest Mouse returns after eight years with chaotic, elegant album

by Lexy Brodt
March 19, 2015

‘A Most Violent Year’ presents dark, gangster side of American Dream

by Lexy Brodt
February 9, 2015

‘Selma’ is powerful portrayal of past, modern Civil Rights struggles

by Lexy Brodt
January 20, 2015

‘Rosewater’ fails to capture trauma of political imprisonment

by Lexy Brodt
November 20, 2014

‘Birdman’ offers delightful meta-commentary on actors and our true selves

by Lexy Brodt
November 6, 2014

Twist-heavy ‘Gone Girl’ is one of the year’s, Fincher’s best

by Lexy Brodt
October 16, 2014

Wisconsin Union Theater keeps acts youthful at age 75

by Lexy Brodt
September 3, 2014

‘Tammy’ instills more awkward tension than comedic relief

by Lexy Brodt
July 22, 2014

Lily Allen’s ‘Sheezus’ suffers from bland pop sound, despite empowering lyrics

by Lexy Brodt
May 7, 2014

The Uncluded brings humorous hip-hop/folk blend to High Noon Saloon

by Lexy Brodt
May 2, 2014

‘Under the Skin’ creates horrifying, sensual atmosphere out of inhuman character

by Lexy Brodt
April 24, 2014

‘Enemy’ confuses with excruciating, pretentious symbolism

by Lexy Brodt
April 17, 2014

Avey Tare’s Slasher Flicks brings listeners into strange, psychedelic world

by Lexy Brodt
April 10, 2014

Cloud Nothings’ noisy ‘Here and Nowhere Else’ rocks its way through bitterness

by Lexy Brodt
April 3, 2014

Elbow’s latest LP floats on cusp of weirdness, remains stunningly human

by Lexy Brodt
March 13, 2014

St. Vincent’s self-titled LP affirms status as idiosyncratic genius

by Lexy Brodt
February 26, 2014

Lucius unites rowdy sold-out crowd with luscious performance

by Lexy Brodt
February 24, 2014

Stephen Malkmus & the Jicks bring charisma to High Noon

by Lexy Brodt
February 21, 2014

Bombay Bicycle Club’s latest finds band perfecting unique style

by Lexy Brodt
February 6, 2014

‘Croz’ lacks the musical magic of David Crosby’s prime

by Lexy Brodt
January 29, 2014

‘Paranormal Activity: The Marked Ones’ beats a dead franchise horse

by Lexy Brodt
January 21, 2014

‘Dallas Buyers Club’ surprises with a touch of humor, gut-level sadness

by Lexy Brodt
December 5, 2013

‘Blue is the Warmest Color’ much more than a lesbian love story

by Lexy Brodt
November 20, 2013

Chazen’s Mithila paintings reveal inspiring tradition pulising with color and life

by Lexy Brodt
November 13, 2013

Unknown Mortal Orchestra’s ‘Blue Record’ is an acoustic dream

by Lexy Brodt
October 31, 2013

Madison Ballet’s ‘Dracula’ rocks despite overt sexiness

by Lexy Brodt
October 25, 2013

‘Carrie’ remake has its bloody moments, little originality

by Lexy Brodt
October 24, 2013

Cage the Elephant’s ‘Melophobia’ a smoldering puzzle for lovers of modern indie rock

by Lexy Brodt
October 10, 2013

‘Inhabited Landscapes’ a confused yet enticing assortment of artistry

by Lexy Brodt
September 25, 2013

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