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Not just a trek through the woods: ‘Firewatch’ creates a compelling, isolating experience
by
Brian Vanden Hogen
March 3, 2016
Animal Collective’s ‘Painting Within’ is underwhelming product with poor mixing, jarring vocals
by
Brian Vanden Hogen
February 24, 2016
Lizzo to unleash messages of body positivity, feminism on upcoming Majestic crowd
by
Brian Vanden Hogen
February 18, 2016
On ‘Pool,’ Porches exhibits nuanced, reserved mastery of synth-pop revival
by
Brian Vanden Hogen
February 16, 2016
Kanye West’s ‘The Life of Pablo’ is reminiscent of previous album themes with intricate gospel blend
by
Brian Vanden Hogen
February 15, 2016
With ‘Black Market,’ Rick Ross flounders on latest attempt at relevance
by
Brian Vanden Hogen
December 8, 2015
Rise Against’s riotous — if sometimes monotonous — rock enraptures Orpheum
by
Brian Vanden Hogen
November 9, 2015
Freakfest headliners Timeflies, MisterWives make for bouncin’ shows Saturday night
by
Brian Vanden Hogen
November 2, 2015
Deafheaven unleashes brutal yet beautiful sound at High Noon
by
Brian Vanden Hogen
November 2, 2015
From its angry adolescent history, Freakfest finally grows into satisfying middle age
by
Brian Vanden Hogen
October 29, 2015
In Madison performance, Conor Oberst explores new dimension of his classics
by
Brian Vanden Hogen
October 19, 2015
At Orpheum, Mac Miller shows he’s back — with a vengeance
by
Brian Vanden Hogen
October 19, 2015
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