The comic book-based movies of late have drowned in mediocrity. However, there lies a bright spot in this land of formulaic superhero movies, and that film is “American Splendor,” which, ironically, focuses on a hero no more super than John Q. Public. But that’s exactly what makes “Splendor” all the more entertaining. It is the superb craftsmanship and script by the screenwriting/directing team of Shari Springer Berman and Robert Pulcini, as well as an outstanding cast, that make this film a fine piece of cinema.
The subject of the film is the real-life semi-celebrity Harvey Pekar (Paul Giamatti, “Big Fat Liar”). Stuck in a dead-end job as a file clerk and living by himself after two failed marriages, Harvey is looking for something to fill the void in his life.
But things begin to change for the better when Harvey is introduced to comic illustrator Robert Crumb (James Urbaniak, “Legally Blonde 2”). The two develop a friendship just as Crumb begins to receive recognition for his comics. Inspired by Crumb, Harvey begins to write his own comics depicting his monotonous life in Cleveland, Ohio. Crumb loves Harvey’s writing and offers to illustrate the comics, and thus, the “American Splendor” comic book is born.
Enter Joyce Brabner (Hope Davis, “About Schmidt”), an avid reader of “American Splendor.” Through mail correspondence and telephone conversations, the anemic Joyce and pessimistic Harvey become interested in one another and abruptly enter a life-long relationship. But the story doesn’t end there. The two still have some turbulent times ahead of them, as well as a blessing.
Despite how depressing and mundane the story sounds, the film is neither. In fact, it is quite funny, yet also very touching. Berman and Pulcini never allow the emotional content to become melodramatic. The dialogue and characters feel real (perhaps because they are).
But what is most interesting about the film is that it incorporates animation sequences and interview footage. In their first narrative feature, Berman and Pulcini deftly weave together the interview footage, animation and live-action story to create a wholly original and engaging film that can’t be classified in one specific genre. “American Splendor” essentially redefines the way different film genres can interact with one another.
One incredibly enjoyable aspect of “Splendor” is the narration by the real Harvey Pekar and his commentary on the actor playing him in the movie, Paul Giamatti, who is only one member of the dynamic cast.
Paul Giamatti finally gets a starring role and an opportunity to show off his range. Giamatti, who previously had only supporting roles in such films as “Confidence,” “The Truman Show” and “Man on the Moon,” is a marvel. He is the complete embodiment of Harvey Pekar, and his work here is definitely Oscar-caliber.
Hope Davis, who also had been short-changed with mostly supporting roles up until now, is excellent as Joyce. In addition, James Urbaniak as Robert Crumb and Judah Friedlander (“Zoolander”) as Harvey’s nerdy friend and co-worker, Toby Radloff, also turn in fine performances.
The over-cast, understated cinematography by Terry Stacey matches Harvey’s ubiquitous pessimism. Also of note is the attention to detail spent on re-creating Cleveland, Ohio in the 1960s, ’70s and ’80s. This is something that most likely goes unnoticed, considering that the story is about the characters, as opposed to the era.
“American Splendor” took home the Grand Jury Prize in the dramatic competition at the 2003 Sundance Film Festival, and it is easy to see why. Berman and Pulcini have crafted a wildly inventive and original film that features a terrific cast, technical expertise, and a fine script.
In a time when millions of Hollywood dollars are spent on CGI effects and a dozen sequels are made every year, it’s refreshing to see a film about the average Joe, and to see it done so entertainingly. Harvey Pekar is one of the finest heroes of the year.
Grade: A
