The Badger Herald: ArtsEtc.: Death Angel certainly ‘Kills’ its music

ArtsEtc.

Death Angel certainly ‘Kills’ its music

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Also by Steve Lampiris:

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Cornell's latest CD makes you 'Scream' (March 11, 2009)
Midwest quintet lacks 'spirit' (February 24, 2009)
Battling Beatles: McCartney wins (February 9, 2009)
The 'Boss' needs 'Work' (January 28, 2009)

By Steve Lampiris
Tuesday, February 26, 2008 10:14 p.m.

3 Vote 0 Votes

Much like Seinfeld, I believe a Jay-Z lyric can be applied to anything that happens in life. In this case, I quote one great line (of many) from “99 Problems”; the lyric “You know the type/ Loud as a motor bike/ But wouldn’t bust a grape in a fruit fight” pretty much sums up the so-called thrash album, Killing Season, from Bay Area ’80s thrashers Death Angel. Sadly, this disc has lots of bark but very little bite. In addition to that, there is no thrash here. Death Angel attempts band rip-offs and samples many other genres on Killing Season, but none seem to resemble the scene they came from.

 The album hits its peak early, and by early, I mean the opening track. “Lord of Hate” sounds like an Iced Earth outtake mixed with the clean guitar opening of Metallica’s “Battery.” From there, Killing Season begins a steady descent into mediocrity and total disarray. The album plays out as if the band had ideas for 30 or 40 songs and just decided to juxtapose two or three in one song 11 different times.

 No song better exemplifies this than “Carnival Justice.” The first minute sees the band trying to rip off Unearth. Then drummer Andy Galeon attempts to be Neil Peart for six seconds. From here, the band digresses into a bad impression of funky Meshuggah for seven seconds, then back to Unearth-esque hardcore, then Iron Maiden and finally caps this utter mess off with more Unearth. If the band had stayed with just two of the ideas here, then perhaps the song might have worked, but instead, the listener is left to try and sort out this atrocity.

 But not everything about this album is beyond terrible.

 The production, unfortunately, is fantastic; the guitars are incredibly beefy yet do not overtake the drums and bass. Speaking of which, Dennis Pepa’s bass work is phenomenal here, and Nick Raskulinecz’s production is some of the best that I have heard in years. The mix is full and packs a serious punch without the Jason Suecof-style hollow-sounding overdub-o-rama. Sadly, all of this is thoroughly wasted on Season.

 The other big waste is the number of great riffs here. “The Noose,” “Buried Alive,” “Steal the Crown” and the aforementioned “Lord” all have superb, memorable riffs. Too bad the songs they are attached to suck something awful. Riffs make “Lord” and “Steal,” but the songs don’t really amount to anything. Think of them as the musical equivalent of Michael Bay movies.

 At the end of this record, I am left wondering two things. First, why did Death Angel feel the need to record a new album? It is not like anyone was expecting them to make a (second) comeback, especially after their actual comeback record, 2004’s The Art of Dying, was the epitome of mediocrity. Second, I have to wonder if the band wrote these songs as a collective in any form. None of the songs hang together in any way, and it leaves the album sounding like five musicians each recording their own solo records.

 It’s just a shame, honestly. To have the same band that recorded such great ’80s thrash classics such as “Thrashers” and “Guilty of Innocence” record this piece of shit is unbearably depressing. I never thought I’d actually say this, but this is St. Anger bad.

11/2 stars out of 5

3 Comments | Leave a comment

Anonymous | April 16, 2008 10:24 PM | Reply
IP hash: 44eac55c

Maybe if you took your head out of your ass it would sound better. Death Angel doesn’t sound like any other band, they sound like Deatn Angel. They were original when they came out and even more so now. They have more talent then more than half the new bands out there now. All of these new bands suck. If you want to talk about something that sucks, it’s the new music and oh yourself.

Anonymous | May 26, 2008 4:00 AM | Reply
IP hash: 8c998d98

Its obvious you do not appreciate rap or hiphop. Neither of the two genres appeal to you. The reference to metal proves this. Have someone review this album with some knoledge on hiphop or its past. I bet you couldnt even name where either of the two originated from. So let me do it for you. Queens Bridge believed by some others believed the Bronx. In all honesty I dont like this album all that much, but you seem like the type to not like those genres of music so you bash them no matter who they are, I decided this by looking at your other posts. So do not review a genre of music that you know nothing about. In my opinion I am probably more qualifyed to give a review to a hip hop or rap album considering I still remember the days clearly of KRS-1 and Big L, and several other artists which I will not list because you would have no chance of recognizing the names. Oh and just to let you know about my credentials before I am flamed. I am a producer and president of an indie label with several artists from the new england area. I run three studios out of a basement, a rented apartment, and an antic with over 15000 dollars of equipment in each. If your going to review a music album, pick one from a genre you actually know ANYTHING about.

Anonymous | November 30, 2008 12:56 AM | Reply
IP hash: 23986533

wow steve. how does one so ignorant of music get into such a position? here’s hoping that the people you work for realize that your knowledge of metal aligns with president george w. bush’s ability to run a country. put on your nelson album and shut the hell up.